Earlier this week I discovered Solarized, "a sixteen color palette […]
designed for use with terminal and gui applications".
Bundles are available for all the popular editors; I went ahead and cloned
the Coda bundle. While the code on my screen immediately looked very
nice, a few of Justin's colour choices didn't sit well with me.* I spent
an hour or two trying a large number of different combinations until my
JavaScript file was harmoniously highlighted.
Solarized code snippet
I wanted an even intensity, but didn't allow myself to deviate from Ethan's
prescribed colours. I'm happy with the result: the soft highlighting makes the
code easier to understand without being a distraction. Only regular expression
literals leap forward, but these tend to occur infrequently.
Coda users may be surprised to see method invocations highlighted. That's one
of the minor enhancements I've made to the default mode. If you're interested,
have a look at Javascript.mode on Bitbucket.
* Blue escape sequences within red regular expression literals are too
striking for my liking!
[An] interesting feature of the Seagram Building is the window blinds. As
was common with International Style architects, Mies wanted the building to
have a uniform appearance. One aspect of a façade which Mies disliked, was
the disordered irregularity when window blinds are drawn. Inevitably, people
using different windows will draw blinds to different heights, making the
building appear disorganized. To reduce this disproportionate appearance,
Mies specified window blinds which only operated in three positions – fully
open, halfway open/closed, or fully closed.
This, taken from Werner Blaser's Mies van der Rohe, is also brilliant:
The plan of the brick villa is a good example of the way in which
Mies van der Rohe developed the art of structure from the very beginning.
The structure of a brick wall begins with the smallest unit into which the
whole can be divided: the brick. The dimensions are calculated in terms of
the basic unit of the brick.
Gmail currently serves up two possible favicons, a 16x16 shortcut icon and a
32x32 icon. I've no idea why the latter is included, but my browser is happy
to accept either version, which can lead to a rather amusing situation.
Scaled down 32x32 icon (left) and regular favicon
Most days when Gmail loads I get the favicon, but I've had a couple of extended
periods of seeing the other version instead. I'd even wondered whether Google
was undertaking some A/B testing, although this seemed rather far-fetched. I
now believe that there's a race condition, and that the smaller image usually
wins this race.
I far prefer the 32x32 version (it makes the favicon look anaemic), but when I
had a close look at it I was upset by its sloppiness.
The media have to learn […] that the spectacular things are not the
important things – the unspectacular things are the important things,
especially in the future.
While creating documentation for Dice Cricket, a game a friend and
I designed many years ago, I produced a set of diagrams which represent the
segments of a cricket field. The isolated nature of this small design challenge
provided a refreshing break from the various and interrelated considerations
involved in designing for the Web.
Mid-wicket
Down the ground
Covers
Behind point
Behind the wicket
Behind square
You're free to make use of these images (they're transparent PNGs). Attribution
is appreciated but not required. :)
Recently I've been on a mission to minimize the number of HTTP requests made
while loading pages on this site. Until yesterday, the archives page was
making an HTTP request for each of the tiny calendar icons used on the
page. Therefore, up to 31 HTTP requests were required just to retrieve the
calendar icons. Not good.
The same result can be achieved with a single HTTP request through the use of
a sprite:
Tiny calendar icons sprite, which you're welcome to save and use
I've always enjoyed creating icons in Photoshop. Not the gorgeous, often richly
detailed icons that grace OS X applications — although I would love to learn
to create these as well — but icons designed pixel by pixel for display at
very small scales.
Working with a tiny canvas and a limited palette (I restrict myself to
hexadecimal colours that can be written in shorthand) is a challenge, but
I find the experience rewarding. I recently redesigned this site's archives
page, for which I created a set of 16 x 16px calendar icons.
One of my flatmates linked me to this clip recently. It's titled
Design, discovery and humor and certainly delivers the entertainment
it promises. It's well worth a look.
David Carson presents Design, discovery and humor at TED, February 2003
I came across this recently while browsing Mark Boulton's site. The style
and control of Job's hand is played off against the exuberance of his son's
approach. An upbeat soundtrack accompanies the performance.
Video by Job & Roel Wouters
From the director:
Job and Gradus are both ambitious concerning letters.
Spontaneous jam sessions in our studio inspired us to
make this film about the fun [of] drawing letters.